Just hours before the premier of Kheops Renaissance (also called Khufu Reborn), Jean-Pierre Houdin granted an exclusive interview to fellow Egyptology blogger Marc Chartier, proprietor of the website Pyramidales.  Timed for release immediately following the event, Marc’s interview is a perfect introduction to Episode Two and the  Project Khufu material that will be forthcoming from both Pyramidales and Em Hotep.

Previously available only in French, this is the first official English language translation, made available through our partnership with Pyramidales and Dassault Systèmes.  Over the next few weeks I will be publishing, in addition to Part Two of this interview, translations of additional material that is being very kindly provided by Marc, Jean-Pierre, and the Project Khufu team at Dassault Systèmes.  This will allow me some time to get caught up and reoriented after having to take one of my infamous sabbaticals (sometimes life just shows up with a bag full of challenges, but all is well, Gentle Reader!).


“There is no reason to abstain, especially when you are an architect, from studying the construction of the pyramids, on the pretext that you don’t have the ‘certified Egyptologist’ badge” (Jean-Pierre Houdin)

It was on March 30, 2007, a significant date for the architect-researcher Jean-Pierre Houdin: on this day he publicly “revealed”, in the futuristic setting of the Géode, (la Villette in Paris), what it is advisable to call his “theory” on the construction of the Pyramid of Khufu.

Today, January 27, 2011, for the preview of Khufu Reborn (also known as Khufu Renaissance), still the same venue, the same décor. But while the same people are involved (the Dassault Systèmes “Khufu Team” is still at the controls), the contents of the paper have developed considerably, as would have been expected. Since 2007, when it was essentially a question of an internal ramp and of the Grand Gallery as a track for a gigantic counterweight inside the Great Pyramid, Jean-Pierre Houdin has taken his inventory of the monument much further, in its internal structure and it topographic environment.

New elements in the reading and understanding of the pyramid, the results of numerous observations made by the architect, represent not only a development but, in his mind, a real revolution – the word is not too strong – that could well cause shudders, or even the grinding of teeth, in (elevated) spheres and among all ranks of pyramidology. From Khufu Revealed (2007), the first formulation of Jean-Pierre Houdin’s “theory”, to Khufu Reborn (2011), there is not only a four year gap, but above all a radical change in perspective, already underlying Khufu Revealed, but here expressed in full maturity.

Jean-Pierre Houdin has actually broadened the scope of his research. He has probed deeper into the bowels of the Great Pyramid. He also went to see the Red Pyramid and the Bent Pyramid, always with his eye on gaining a better understanding of Khufu’s Pyramid. And there it was, the surprise appeared, in his view, as an obvious fact: common points between these pyramids emanated from the same architectural “school”, to the point of making room for the “copy-and-paste” technique to configure the main structures of the monuments. This is what Jean-Pierre Houdin call “inheritance”.

With this approach, major structural elements appear inside the Great Pyramid that have been oddly left in the shade for many centuries: two antechambers to the King’s Chamber, a second (in fact: the real) entrance to this very chamber, a second access corridor to the Queen’s Chamber, a second ascending corridor starting at the (T-shaped) entrance to the monument, followed by a second horizontal corridor leading to the antechambers, an evacuation shaft for the end of construction, connecting the upper space of the pyramid’s entrance to the internal ramp… all these elements making up a “Noble Circuit” reserved for the Pharaoh’s funeral. As far as the other known structural elements are concerned (descending and ascending corridors, Grand Gallery, drop-stone trap chamber, service shafts, etc.), in Jean-Pierre Houdin’s analysis, they only had a functional role, serving no purpose once the construction of the King’s Chamber was finished.

Left to right: Marc Chartier, Jean-Pierre Houdin, Keith Payne

Left to right: Marc Chartier, Jean-Pierre Houdin, Keith Payne

Pyramidales will examine the results of this substantial addition to the inventory in detail. As a preview, here is an exclusive interview that Jean-Pierre Houdin gave us, during which he discusses his working method and the essential skills learned from some twelve years of his research in the shadow of the monument, which he still considers as an absolute architectural masterpiece: the Pyramid of Khufu.

Below is the Part One of the interview.

Pyramidales: “Jean-Pierre Houdin, you have already been kind enough to answer my questions, for readers of Pyramidales. During this interview, you announced a major continuation of your research into your reconstitution of the construction site for the Great Pyramid of Giza.

The time has come to publish the results of this new research, which you have called Episode Two.

Does this mean that in your opinion Episode 1 was incomplete, despite the very large audience that this first work met, as much among the general public as with informed researchers, in numerous countries?”

A two-stage tactic

Jean-Pierre Houdin: “I’ll say right away that already in the summer of 2003, so nearly eight years ago now, my work on the Pyramid of Khufu had provided a much more comprehensive explanation for this construction project than that prevailing at the time.

“In June 2005, during my first meeting with my friends at Dassault Systèmes, Mehdi Tayoubi and Richard Breitner, of course I decided to tell them everything about this work. They felt the extent of the theory and the overturning of “The Unique Thinking’ aspect of what I had just revealed to them appeared too important, and above all too explosive, to be placed in the public domain in one go. We therefore agreed on a two-stage tactic: Episode 1 covered the whole theoretical part of the theory dedicated to construction of the pyramid and Episode 2 covered everything relating to the architecture of the funereal apartments. The intention was to target the largest possible audience and present the theory in the most scientific and credible way possible, through virtual validation using Dassault Systèmes’ software, in order to gain unassailable credibility on this point.

“Once the theory was established, we thought we could rapidly put it to the critical test by obtaining authorization to undertake a research mission on site using non-destructive tests. The great advantage of the theory lies in the fact that it is irrefutable: the discovery of the internal ramp would close debate over the question of the monument’s construction.

“The Khufu Revealed presentation at the Géode on March 30, 2007 elicited considerable response from around the world. In one morning, the theory was recognized as the most plausible on the subject. Unfortunately, afterwards, as far as real validation was concerned, things did not go as planned; submission of an application for a scientific mission remained impossible despite several meetings at the highest level. In the end, this additional period ‘granted’ to us turned into a real godsend: Episode 2, version 2011 has gained considerable weight compared with Episode 2 as first imagined in 2005, and we have been very successful in collecting clues on the ground.”


With technical support from Dassault Systèmes (in the foreground: Richard Breitner)

With technical support from Dassault Systèmes (in the foreground: Richard Breitner)

Pyramidales: “Before coming to the real content of your new developments on the Pyramid of Khufu, can you give us an insight into your research method? Looking at your previous publications and presentations, I think I see at least three principal working themes in your approach to the Egyptology ‘thing’: meticulous observation of the site, a builder’s logic (we haven’t forgotten you are an architect), enabling you to ‘talk’ across time with the Egyptian builders, and an awareness of construction techniques specific to several pyramids from various eras.

“Do you recognize yourself in this description? If necessary, how would you add to it?”

More than 5,000 hours spent modeling in 3D

J.-P. Houdin: “First of all, there was a ‘founding’ event that led me to devote more than twelve years of my life, full-time, to Khufu and, by extension, to all the great smooth pyramids. It was the intuition my father had on January 2, 1999 and that I love to recall: ‘If I had to construct the Pyramid of Khufu’, he told me, ‘I would build it from the inside’. With a single sentence, ‘The Unique Thinking’ was blown apart! At the time, I was approaching fifty and Bulle, my wife, finally convinced me that we don’t live forever, that routine is the enemy of passion, and so I was looking for an ‘idea’ worth devoting myself to. Khufu ‘landed in my lap’! The architect in me told me quite simply that this was my path. The Pyramid of Khufu was worth it!

“Starting from this intuition, slowly and surely I unwound the ball of thread that nobody had been able to untangle, because they didn’t have the right code to find one of its ends.

“And then, after spending my whole childhood immersed in building and civil engineering, having qualified as a professional architect and having worked in the profession for more than twenty years, being initiated into computer-aided design, I had the ‘necessary qualifications’ to enable me to succeed in seeing through a serious and probing study of the ‘why’ and the ‘how’ of the pyramids, and then publish proposals in this field.

“Between 1999 and 2005 (before meeting Dassault Systèmes), I thus spent more than 5,000 hours modeling my ideas in 3D, with the unique advantage of being able to visualize whatever came into my mind, practically in real time. I also had the possibility of finding out the precise relationships in space between the various elements that I had in front of me on the computer screen.

“From the start, I understood that I had to think as an ‘Egyptian of the time’ and not as a modern builder. I therefore did a lot of research on the subject, both in books and on the Internet (having spent a year in New York from 1996 to 1997 and experienced it first-hand, I had grasped the huge revolution that this tool would bring), to find out about the techniques, materials, tools and expertise of the ancient Egyptians. This enabled me to notice in passing that the literature about the pyramids was fairly thin, padded with rehashed quotations passed from one author to the next, with no personal analysis and particularly very often missing the point. Finally, starting 2004, thanks to help from sponsors, I was able to make regular trips to Egypt and do my own research on site; every time, I found a clue to support my proposals.”


Pyramidales: “Among your working tools, 3D now occupies an essential place, thanks to the skills and intellectual proximity you have found with your friends at Dassault Systèmes. What extra benefit does this virtual presentation bring to your work?”


From left to right: J.-P. Houdin, Mehdi Tayoubi, Richard Breitner

From left to right: J.-P. Houdin, Mehdi Tayoubi, Richard Breitner

J.P. Houdin: “As I told you before, 3D has an essential place in my research. My meeting with the engineers from Dassault Systèmes was extraordinary: we spoke the same language and they offered me the Rolls-Royce of the computer-aided design field. At once my work took giant leaps forward, scientific simulations underpinning virtual modeling. For example, simulations performed by the Khufu Team in connection with the cracking of the beams over the King’s Chamber provided the precise answer enabling me to confirm that the Egyptians mastered the situation very well at a moment of disarray and did not abandoned this room during construction. The best proof: 45 centuries later, the damage has not got worse.”

Pyramidales: “There’s no point burying your head in the sand! The logistics established around your work, with the media impact we have seen, have aroused envy and will do so again. Unfortunately, it seems that the microcosm of Egyptology, no doubt like other areas of scientific research, cultivates an innate sense of controversy. How do you explain this observation?”

“I had to take up my pilgrim’s staff”

J.-P. Houdin: “Research is not a class prerogative; freedom of thought is fundamental and there is no reason to abstain, especially when you are an architect, from studying the construction of the pyramids, on the pretext that you don’t have the ‘certified Egyptologist’ badge.

“The pyramids were designed and built by men like Hemiunu and Ankhhaf, Viziers of all Khufu’s Great Royal Works, a title that can be compared nowadays with that of an architect or an engineer.

“Egyptology was born during Napoleon Bonaparte’s Egyptian Campaign and, from the start, was directed towards the archaeology of measurements, excavations and collection of relics. University studies in this field are based principally on the understanding of hieroglyphs, documents, history and religion; they provide no particular training in the understanding of construction techniques. The result: no theory put forward by Egyptologists bears analysis, right from the first lines. I think that my architect’s background qualifies me as much as an Egyptologist, if not more so, to investigate the problem of the construction of the pyramids

Picture from the documentary Kheops Révélé (Gédéon Programmes)

Picture from the documentary Kheops Révélé (Gédéon Programmes)

“Now, my position as an ‘outsider’ closes the door to many facilities: not being an insider, it was out of the question for me to be supported by public bodies. I had to take up my pilgrim’s staff and go to convince sponsors in France and Egypt (because I have some there too). The commitment by Dassault Systèmes is exemplary, as part of a sponsorship program (Passion for Innovation). Sponsorship is particularly oriented towards sport and the arts; in my case, it is to support research into our past, into an admirable civilization that still has a lot to teach us. Nothing could be more normal than for sponsors to mediatize this action. Let those who are envious understand this: my breakthrough in the world of Egyptology has not been an ‘overnight success’, the fruit of this wide media exposure alone, but the result of a great deal of effort, privation, passion and conviction on the part of my contacts.

“I don’t think I need advice from people (very few incidentally) who have proved incapable of making objective and substantiated criticism of my work.”


Pyramidales: “To come now to the heart of the matter, namely the content of Episode 2, what are the main points, what are the structures or components of the Pyramid of Khufu that formed the subject of your complementary analyses and interpretations? In other words: what have you observed in what, until now, remained silent or secret from the fantastic ‘language of the stones’ that the pyramid offers to those who know how to decode it?”

J.-P. Houdin: “I called the content of Episode 2 ‘Khufu’s Inheritance’, that is the real funereal architecture of the Great Pyramid, a logical continuation of the sepulchral tradition and experience in construction accumulated by the Egyptians over more than a century, particularly in the reign of Khufu’s father, Snefru.

“In 2003, so after already having spent four years studying and researching Khufu’s Pyramid, and the other great smooth pyramids of the 3rd and 4th Dynasties, I arrived at the conclusion that there was something that didn’t ‘fit’ in the internal architecture of this funereal monument. I use this word ‘funereal’ because it is essential to come back to the ‘why’ of the royal pyramids: to serve as tombs for kings and their close family for eternity, in the belief of a life in the hereafter. This involved having a real apartment with, if I may be so bold, living room, dining room and bedroom. Also, the Egyptians paid much more attention to constructing their eternal dwelling than they did to that for their earthly life, the latter being only a brief stay.

The two antechambers of the King’s Chamber, similar to the ones of the Red pyramid

The two antechambers of the King’s Chamber, similar to the ones of the Red pyramid

“By means of thousands of hours of 3D modeling, literally getting inside the volume with all the possibilities this technology offered me, I could observe, analyze and understand the spatial relationships between the various internal structures: the chambers (and their passageways), the corridors and the Grand Gallery. As far as the Grand Gallery was concerned, I was already firmly convinced that it could only have been a technical element associated with the construction and that it was pointless to try and give it a funereal function. Moreover, certain explanations linking the three chambers (the underground chamber, called the Queen’s chamber, and the King’s Chamber), in order to ‘include’ them in the funereal tradition seem to me to be mistaken, even fanciful.

“I had already spent enough time ‘in the company of’ my fellow architects of the period to understand that our knowledge of this pyramid was incomplete. It had no room for their constructive logic or the simplicity of their approach to the configuration of the funereal apartments.

“The presence of two antechambers in the Pyramid of Khufu, modeled on those in the Red Pyramid at Dahshur, constructed by the same ‘college of architects’ for Snefru, Khufu’s father, was a foregone conclusion for me. The language of the stones did the rest, 3D modeling contributing an extraordinary ‘beyond the visible’ visual representation.”

Pyramidales: “To back up, indeed corroborate, your observations, were you able to profit from studies, assessments or experiments, to some extent made public, or even conversely perhaps kept secret… because they were too disturbing for what you call “The Unique Thinking”?

J.-P. Houdin: “During all these years of research, I was aware that in the end you could find a great many clues just by going ‘fishing’ in projects already carried out or studies published over the years. During the micro-gravimetric campaign performed under the patronage of the EDF Foundation in 1986/87, the results were not what was hoped for at the time, namely the detection of an unknown chamber, which proves that there are many people who are not satisfied with the current status quo. The anomaly of the spiraling low-density zone would have remained at the bottom of the drawer if my curiosity had not pushed me to look much more closely at these results. The ‘catch’ had been excellent, because in my mind the probability of later finding this spiral perfectly matching that in the theory was practically zero. This anomaly can only have one rational explanation and any attempt to deflect its significance towards other constructional explanations is doomed to fail because the fundamental subject is then forgotten: how was the pyramid built? And here we have to go into detail rationally, which has not been done since the dawn of time.

“Moreover, during this investigation, other results concerning other anomalies that also fell into the drawer supported my latest suggestions: micro-gravimetry had also detected low-density and high-density zones at exactly the places I expected.

“I had also learned that at the same time, under the direction of a well-respected Egyptologist, Professor Yoshimura, the University of Waseda in Japan had undertaken two radar studies in the pyramid shortly after the French project. One very significant result, detected during each of these two missions, brought to light a corridor about thirty meters long, parallel to the horizontal corridor leading to the Queen’s Chamber and finishing in the north-west corner of the chamber’s north wall. This discovery was the subject of an official publication, but the establishment misunderstood it at the time. Competition between Egyptological teams appears to be fierce, with the consequence that a mass of information is closeted away without trace for simple reasons of ego. For me, science cannot and should not be hampered by clan disputes; but this example proves that the reality is quite different.

“As for ‘The Unique thinking’ I often talk about, I will summarize it with a phrase from the Greek historian Thucydides: ‘Instead of taking the trouble to search for the truth, we generally prefer to adopt ready-made ideas.’”


Pyramidales: “Adding to your previous research, in order to refine your reconstitution of the Great Pyramid’s construction, your new observations initially led you to focus your attention on the area around the monument, namely the Royal Causeway intended to transport stone blocks. What are the configuration and route of this causeway?”

A trench in the bedrock to serve as a slide channel for a second counterweight

J.-P. Houdin: “I often say that by having had this sudden inspiration in 1999, ‘The pyramid was built from the inside’, my father had finally found one of the two ends of the thread in the ball of wool that represented the enigma of the pyramid’s construction. Those who maintained ‘The Unique thinking’, according to which the pyramid was constructed from the outside, were turning this ball around while themselves going round in circles, with nothing (the end of the thread) to establish a plausible theory. From the start, I had this element and I pulled the thread little by little, the ball getting progressively smaller.

As for the Giza Plateau, it was the thought of a reader that pushed me to examine it more closely. This reader pointed out to me that I had not explained how I transported the granite beams from the port to the base of the great external ramp; and he was right to point it out to me. Indeed, it is such remarks that help things move forward.

The building site was organized around two main axes (in red): Both pyramids of Khafre and Menkaure had not yet been built at the time

The building site was organized around two main axes (in red): Both pyramids of Khafre and Menkaure had not yet been built at the time

“And, as if by a strange coincidence (?), the next day on Talking Pyramids, Vincent Brown’s blog, I saw a photograph from the beginning of the 20th century taken by Spelterini from a balloon. And the penny dropped: why hadn’t I thought of it sooner? The Royal Causeway of Khafre was built on a ramp dating from Khufu’s construction project! The Egyptians always considered simplicity and economy in organizing their construction sites: first construct the pyramid in a first quarry, to supply materials over the shortest possible distance, to have as much as possible to hand, if I might say.

Illustration from Dassault Systèmes

Illustration from Dassault Systèmes

“Nonetheless they had two materials that came from other regions of Egypt: Tura limestone for the facing stone and Aswan granite for the walls and beams of the King’s Chamber. They needed a canal and an unloading port as close as possible: the current port in front of the Valley Temple of Khafre and the Sphinx was the ideal place. From there, the Tura blocks could follow an allowable natural slope of 8 to 9%, to be delivered at the base of the pyramid, at the entrance to the internal ramp. On the other hand, the beams having to be delivered to the level of the base of the King’s Chamber, the route had to be longer to maintain an identical slope. The hypotenuse of the triangle was not suitable and the two sides of the triangle became more logical. Khafre’s Royal Causeway crossed my external ramp. By moving this slightly to the west, profiting from the greater altitude of the Plateau in this area (15 m higher than the base of the pyramid), it was shortened by about one hundred meters and its starting point was naturally located on an extension of the Causeway and practically at right-angles to it. The difference in level between the port and the base of the King’s Chamber is about 83 m, two-thirds (55 m) being covered with the aid of this plateau ramp, the final third (28 m) by means of the exterior ramp (the blue line below). Incidentally, I noticed the presence of several quarries along the route of the plateau ramp (the red line below). These must have been used as required and were directly linked.


“This ramp, which was nearly 24 m wide, was much too big to be just the foundation for Khafre’s Royal Causeway (9.50 m), especially given that the other plateau causeways have foundations that do not extend beyond their masonry (10 m for Khufu and 8.5 m for Menkaure).

“This ramp sorted out the route for materials, but did not explain how the beams were brought up from the port to the base of the Khufu’s external ramp.

“In my theory, I say that the beams were dragged from the base of the pyramid to level +43 m using a counterweight moving inside the Grand Gallery (the green line at the top, above). Logic would therefore expect the Egyptians to have installed a first counterweight at the end of the plateau ramp to bring the monoliths to the base of the second ramp. To do this, they would have had to dig a trench in the bedrock to serve as a slide channel for this second counterweight; and this is what they did! Precisely in line with the plateau ramp, and beyond the starting point of the external ramp for Khufu’s pyramid, they dug this ditch and we had a clue we hadn’t dared hope for.

Although this trench had disappeared under Khafre’s pyramid (the green line, above, left), one detail is remarkable: while all the funereal apartments and corridors were dug into the bedrock, the corridor connecting the entrance to the sepulchral chamber, with its floor more than 10 m below the level of the plateau, has indeed also been dug, but suddenly, over about ten meters exactly aligned with the plateau ramp, it is constructed in stone, floor, walls and ceiling. And this trench had a great influence on the location of the internal structures; it required the designers to move them about twelve meters to the east, in order to avoid having a significant void to fill in under the stone-built section of the corridor.”

To be continued!


Copyright by Marc Chartier, 2011.  All rights reserved

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This entry was posted on Monday, April 18th, 2011 at 1:55 pm and is filed under Old Kingdom, Pyramids, The Giza Plateau. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

12 comments so far

Jan Bailey

Glad to have you back again.
Beginning to think that you were in the thick
of the “unrest” and not allowed to leave
the country!! Or has all the hocus pokus,
nothings stolen, but wait yes there is, he’s gone, he’s back, just left you
without words?

April 18th, 2011 at 9:58 pm

Hi Jan,

Its good to be back. Yes, there does seem to be a pattern.. When I disappear for a while the whole world seems to go topsy turvy. One might be excused for thinking there may be some sort of connection. A Dr. Evil type of alternate identity, perhaps?

The truth is a bit more mundane. I will write you. But the antics of the Good Doctor have been rather difficult to follow. He resigns then comes back in a new position, like some sort of shape-shifting sci-fi creature. He sets about tracking down “stolen” artifacts, only to have them returned to him anonymously (who among us is really buying the mysterious bag o’ goodies in the subway station?). One day he is trademarking his own name, the next he is sentenced to a year of hard labor. And for all of that, he seems more or less intact, despite being a political animal of the Mubarak regime.

It is enough to leave the head spinning. So far I have stayed officially out of the fray simply because I have so much catching up to do with Project Khufu, and keeping a bead on Zahi has fallen into Vincent Brown’s capable hands. As the least hot-headed among us, that is probably for the best!

But without words? Indeed, too many words to know what to do with!


April 19th, 2011 at 7:56 am

I am really interested in the original entrance to the pyramid (the purple area in the figures above) and what clues have lead to that conclusion of a hidden corridor starting here. It is very difficult to find any info (pics or diagrams) of the blocking arrangement in this area. Hopefully it is in the next part!

April 20th, 2011 at 11:54 pm

Hi Micah,

Thank you for reading, and thank you extra for taking the time to comment.

The hidden entrance will indeed be further addressed in Part Two of the interview, and you can expect to read much more about it in the coming weeks. The issue of the relieving chambers, which also have been the source of much speculation and head scratching, will likewise be further examined.

One thing to keep in mind about the interview is that it is sort of a handshake to Jean-Pierre Houdin’s new material. The details will be explored much more in depth, both in the remaining Pyramidales articles which are being translated for inclusion here and in the future work Marc Chartier and myself will be doing directly with Jean-Pierre and the Project Khufu team at Dassault Systemes.

We are really just scratching the surface here, and if some of the details seem fantastic, please keep following! The hard science is there, but we are in the process of laying out several years worth of work, as well as work that is still in progress right now and work that is planned for the future. Project Khufu has also expanded–across institutions, disciplines, and even continents.

Kheops Renaissance was not the conclusion, it was the christening for a new voyage! Stay tuned!

April 21st, 2011 at 8:34 am

Great to have you back, Keith. The unexpected absence had me concerned for your safety!
Now I can sit back and enjoy Khufu!

April 22nd, 2011 at 10:50 am
Kurt Burnum

“Can’t Wait To Read It!”

January 31st, 2012 at 9:08 pm
Susan Leogrande

This is making exact sense. His thinking as if he were there, and being aided through the 3-D is a perfect partnering for science, archaeology and the world of those that love the history of Egypt. Thanks so much for providing these articles. Very well written.

March 25th, 2012 at 2:17 am

Hi Susan,

Thank you so very much for reading 🙂

Project Khufu is very much an example of how technology is being used in fields for which it was not originally intended, and with wonderful results. We have already seen where tools from the medical field are being used in Egyptology, such as how an endoscope can be used not just to explore mummies, but to look into hidden spaces during excavations. This is the way archaeology has always been, just look at how many archaeological field tools can be found in a gardener’s shed!

Jean-Pierre Houdin brought an architect’s eye to the problem of how the Great Pyramid was built. This too is not unique, architects and engineers have pondered the Great Pyramid for millennia. What is different this time is having the support of a benefactor like Dassault Systèmes, who not only has the capital needed to fund the project, but the best research and analysis tools in human history for tackling the project. The construction of the Great Pyramid is often referred to as a “Manhattan Project” type of undertaking—unlimited access to the best technology, greatest minds, and all the required resources and capital. The results, 4,500 years later, are still there to be visited.

Understanding how Khufu-s Pyramid was built requires a Manhattan Project, and that is largely what Jean-Pierre has done. He has assembled a worldwide team of professionals and specialists to test and refine his theoretical work, as well as prepare for field work. He has been provided with the technological tools he has needed, as well as the experts required to use them. For a Manhattan Project to emerge, the individual egos have to be kept in check while allowing the individual geniuses to become prominent. Project Khufu accomplished this by not getting snagged up in unnecessary political/individual conflicts and finding the people who could do the work best and who wanted to do it the most, and then turning them loose.

You also nailed an important development in how this methodology is broadening the net with its use of 3D technology. 3D and virtual reality technology can allow a person to communicate in minutes what used to take hours to explain, and allows everyday people to visually interpret some otherwise difficult concepts to visualize. You can also do a minimally-verbal presentation that allows you to communicate your ideas to people who may not even understand your language.

The technology and the people who use it are a very exciting part of the story of Egyptology today. In a field that has been traditionally dominated by larger-than-life personalities who find golden treasures, sometimes by blowing things up, it has been difficult for the diligent analyst and model builder to capture the attention of pop-culture. Thanks to TV shows like CSI, the general audience wants to know more about the team behind the technologies and single-solution heroes. And make no mistake, if Egyptology is going to continue to grow, that connection to pop-culture has to be made. Whether we like it or not, it has a lot of control over the purse strings.

The key, and an area where I think Project Khufu succeeds, is to connect by making the science both entertaining and understandable. In the past, where documentaries thought the audience might gloss over during technical details, the technical details were either left out or misrepresented in a way that made them seem more exciting. But people are even more entertained by figuring things out and being able to say “aha!” for themselves. Where Project Khufu mastered this was by making the difficult concepts easy to understand and critically analyze, so you can then move on to what is next with genuine understanding, rather than an uneasy feeling that something was explained, you just must not have understood properly.

Having the technology to do accurate visual representations helps reduce this potential for miscommunication.

Thanks again, Susan!


March 29th, 2012 at 12:59 pm
Susan Leogrande

When will the next segment of this fabulous story be told? I have been following Dr. Sarah Parcak’s work with technology. Can any of this be used to help bolster Jean’s theory?

In addition, I am wondering if the Red Pyramid has an internal ramp or if there are others that do?

April 2nd, 2012 at 11:22 pm

Hi Susan,

You are not the only person wanting to know when the next segment of this story is due! I am so far behind on things right now!! But I am working at it, I promise! I am not familiar with Dr. Parcak’s work so I can’t comment on how it might impact JPH’s work… If you have the time, can you fill us in a little bit?

As for the Red Pyramid, I’m so excited I could just burst… But not yet… 😉 But if Khufu’s pyramid was the next step from the Red Pyramid, you can bet that a lot of the methodology is the same. There will be much more to say about this very soon.


August 12th, 2012 at 12:47 pm
Wiliam Cameron Bayne

The notches in the grand gallery at the intersection with the Queen’s chamber corridor suggest that the blocks were necessary for the counterweight to travel over as it pulled up the external weight. Questions: (1) As the Queen’s chamber access was ‘open’ was it part of the counterweight machinery?; (2) What is the design of the machinery that required the ascending corridor? (which is similar in length to the corridor to the Queen’s chamber & grand gallery); (3) Could the step & recess in the Queen’s chamber be anchors for a tread-mill (I cannot reconcile this idea with the running-blocks in the grand gallery; however it would give a reason for the ‘air-shafts’); were the girdle stones in the ascending corridor for alignment or for reinforcement over a void? JPH’s theory requires that the portcullis stones were set from the King’s chamber; would they also have inserted a granite plug?

September 22nd, 2014 at 3:51 pm
Clive Taylor

Great site, I want up to date news of developments with the scan project.

August 28th, 2016 at 5:42 am

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