12 comments so far
I should make a correction here.. In the section describing the Dixon Artifacts I state that copper was totally useless against the red Aswan granite. That is not completely accurate. While it is true that copper chisels were of no use with granite, the ancient Egyptians were adept at using copper tube drills and saws, both of which relied on quartzite grit to cut stone, and there is evidence in Khufu’s sarcophagus (and elsewhere) that both of these tools were used successfully to shape granite. But these tools would have been used for precision cutting. The majority of the work was done with diorite balls like the one Dixon found.
–K
Regarding the ventilation hypothesis:
I almost certainly set myself up for trouble when I use the words “almost certainly,” as I did when I stated regarding the shafts that “they have often been referred to as ventilation shafts, but they seem to be too long and narrow to efficiently provide airflow, so this is almost certainly not their purpose .”
It has been brought to my attention that at least in the King’s Chamber the heat produced by the sun on the pyramid’s southern face would pull stale air up through KCS and cooler fresh air in through KCN and the Grand Gallery.
So why the need for the modern ventilation system? Why not let the ancient one do its job? Because in ancient times there were not thousands of sweaty tourists huffing and puffing their way up the GG and into the King’s Chamber every day! The humanity is the humidity.
So the ventilation hypothesis is back on the menu here at Em Hotep, and I am a little humbler.
–K
Hi Keith,
You write in “The Upuaut Project” :
“He arranged for a third party to design the ventilation system based on his database while he set about the task of designing the robot.”
By the way, “the third party” was Pr Jean Kerisel and his son Jean-Bruno…and Professor Kerisel was a friend of my father. They met for the first time in the early 50′s in Ivory Coast when my father, a civil engineer, was begining the construction of the first bridge linking two parts of the city over a laguna. Pr Kerisel was a soil specialist and was there to study the bottom of the laguna and below before setting the piles of the bridge. At the time, I was around 4 or 5 years old…and Pr Kerisel came often to our home.
Later, Pr Kersiel was sent to Egypt by the builders of the Cairo subway to study the soil. He fell in love with the pyramids and decided to devote himself studying this Wonder once he would be a retiree. So, in the mid 80′s, he was the one who “paid” for the ventilation system.
And a strange event came later : in the mid 90′s, he and my father were reunited in a comittee set up to study the bridge built 40 years earlier in Abidjan. This comittee lasted up to the end of the 90′s. In a meeting in late December 1998, Pr Kerisel told my father that he would appear, on January 2, 1999, in a documentary about Khufu’s Pyramid filmed for a french TV. My father watched this documentary and at the end of the movie, he said to himself: “If I would have to build a pyramid, I would build it…from the INSIDE with an internal ramp”…Following that, he told me: “Jean-Pierre, could you draw me a 3D model of the pyramid with an internal ramp ?”
You know the story …
Today is January 13, 2012…we are 12 years later…and some research and study work has been done since
All the Best
Jean-Pierre
PS: For KCS et KCN, these shafts were part of a ventilation system up to the funerals. Pr Kerisel, who I met many times in the early 2000′s (before he died), told me this story: “When we went in the KC in the early 90′s, the chamber was very hot and humid, the shafts being filled with rubble at the level of their outlets. The day we cleared these shafts, we could instantly feel the flow of fresh air inside the KC. That flow was sufficient for an empty room…but our problem was to deal with hundreds of visitors, sweating and breathing in the KC after an long and hard effort to reach the room.
For QNC and QNS, you know my opinion…
Hi Jean-Pierre,
I would say that “some research and work has been done in the last 12 years” is quite an understatement!
I had the opportunity to chat with Henri Houdin when we were in Paris last year for Khufu Reborn, and he is a remarkable man. Very kind and pleasant, Anne was instantly enamored.. And as we know, she has excellent judgment with men!
It is very exciting to be able to see these various projects–Khufu, Djedi, Giza 3D–developing independently with different teams, while at the same time knowing that they are connected via the technology from Dassault Systèmes and people like Mehdi, Richard (Breitner) and yourself are well positioned to be able to see the connections. This is the real value of having a multidisciplinary approach.. You have the specialists who are able to push the methodology and technology to the extremes, while at the same time you have the generalists who can see the connections and make sure that all the right people are getting together.
This is research and development 21st Century style, and to see it playing out in Egyptology is, for an Egypto-Geek like me, like a Beatles reunion!
–K
Hi Keith and Jean-Pierre,
Of the four objects found in the QCN shaft (Dolerite pounder, Copper hook, Metal plate and Wood stick), it is plausible that the last three were indeed part of a same tool.
The BM catalogue description for the Copper hook says: “Copper forked implement: traces of organic material on the tang suggest it was originally fitted with a wooden or bone handle.”
If the organic material is related to the wood stick, the metal plate might have served as a cap to secure the handle in between the hook and the said metal plate.
The Marischal Museum description says it is a Stone Mason’s Ruler but it is so deteriorate (see full description) that it remain possible that is was rather the handle that was attached to the hook. Sadly there is no picture of the artefact but I’m pretty sure they will be glad to send you one.
Steve Gilbert
Quebec City
Hi Steve,
Thank you very much for joining the dialogue, that is what really makes these articles enjoyable. I will take your advice and write to the Marischal Museum to see if they can provide a photo of the wooden shard. It makes pretty good sense to me as well that the hook, plate, and stick may have been part of the same tool. For the coming article I will have to see if the plate has been recovered.
As of the publishing of the Upuaut Project material on Rudolf Gantenbrink’s site it was still up there in QCN somewhere. Maybe Pyramid Rover of Djedi either recovered it or at least identified it. We also cannot rule out that it may have been somehow associated with the rods Dixon used to prod around in there. We won’t know until its pulled out!
–K
Hi Steve,
Hi Keith,
From Steve:
“Of the four objects found in the QCN shaft (Dolerite pounder, Copper hook, Metal plate and Wood stick), it is plausible that the last three were indeed part of a same tool.”
That sounds evident for me.
“… that it remain possible that is was rather the handle that was attached to the hook.”
That too sounds evident for me.
And the answer is just on the back side of the QC shafts doors: a loop for each pin!
So 2 loops + a hook + a metal plate + a wooden stick = a handle which has a link with the “door” through the loops. That is quite similar to a pan with a removable handle!
Now the question is: “For each shaft, what was the purpose of this tool?”
(My) Answer…but let me explain a little more before:
I’m an architect; I’m a rational guy, so I think that Egyptians built these monuments for a main reason. For Khufu’s pyramid and all the other, they built funerary tombs.
But building a pyramid was more than that; the whole economy depended on their construction and the strength of the central power (the King) was directly linked to the size of the pyramid. The 4th Dynasty pyramids are the biggest ever built and reflect the strength of one family – Snefru, Khufu and Khafre – and the apogee of the “Great Works” of the state. In the following Dynasties, Egypt was never as powerful as she was in the 4th.
This said we have to think that these projects were designed by architects, engineers and many other technicians or specialists (no matter how they were called at the time).
I want to emphasize the importance of the era between the first pyramid (Saqqarah) and Khufu’s pyramid. In around one century, Egyptians made incredible progresses in know-how, technology, programming, planning in every fields, so they were able to build fast and efficiently, like in our modern world, and even more: in a sustainable development manner. NO WASTE, and built for Eternity.
Stone construction, corbelling, Turah limestone, ability to build with the facing already done while the pyramid rises up (thanks to the INSIDE-OUT technique). These are fundamental elements for large smooth pyramids.
As skills and knowledge expanded from one pyramid to the next, Egyptians were always willing to go a step farther, keeping what was working well, leaving aside what was not. Moreover, they always set a new “challenge” for any new pyramid.
Before any construction, each project was carefully designed. It had to be built exactly as it was planned, including every detail needed for the construction. Often these details, linked to a construction necessity, had a great influence on the design itself.
Between Khufu’s pyramid and those before it, the most striking difference is a big change in the positioning of the funeral chamber. In the previous pyramids, the funeral chamber is below ground level, at ground level or just above ground level, this showing an evolution in the design. So the pyramid is built above a chamber already dug or built and the “descending corridor” (leading to the outside) is built, while the pyramid rises, starting from its lower point up to its outlet, reaching the outside at one resulting place.
For Khufu, Egyptians tried a big jump: build a funerary chamber, with a flat ceiling, very high in the core of the monument, at level +43m (layer 50).
What does that mean?
A BIG CHALLENGE !
This funeral chamber would be available only 15, 16 or 17 years after the beginning of the construction; this had never been done before.
Something was unknown: how long would the King live?
He could die at any moment during these long years (Sekhemket and Khaba died during the early years of the construction of their pyramids)
The final design of this pyramid was done from the very beginning and included all the parameters. 15 years after the beginning of the construction, one can’t build a chamber at a precise location if one doesn’t know where to start the construction of the corridor leading to it. The design of every internal work below level +43m was totally dependent from the precise location of the chamber. Moreover, the Grand Gallery and its counterweight system – the tool needed to pull the beams weighing up to 60t around year 14 (at that time the pyramid is at level +43m and 2/3 of its volume is done) – had also a big impact on the design…
Consequences: 3 chambers were included in the pyramid.
The first chamber, dug in the ground (the subterranean chamber), was planned for the first 10 years, just in case the King dies early. This is an unfinished chamber, but this could have been quickly finished.
The second chamber (the so-called Queen’s chamber – QC), built at mid-level between the final chamber and the ground, and was available for years 10 to 15/16 or 17 of the reign.
The third chamber (the King’s Chamber – KC), was built as the main purpose of the construction.
This chamber being built at a higher level than its corridor entrance, two ventilation shafts were needed to ensure some kind of air circulation in the room before the funerals.
This problem doesn’t exist in any other pyramid.
As Egyptian liked to build smart, they gave many purposes to the second Chamber, the QC:
- A back-up funerary chamber, with the same width as the KC one but twice shorter, holding a sarcophagus (read Edrisi’s History of the Pyramids, written c. 1245 and translated by J.L. Burkhardt reproduced in Richard Howard Vyse, Operations Carried Out on the Pyramids of Gizeh, Vol. II, Appendix, p. 335).
- A trial model for the setting in place of rafters for a roof
- A trial model for the future shafts of the KC
And, I’m very serious saying this :
- An amplification room for a phonic intercom system linking the South part and the North part of the pyramid during the construction of the KC. The counterweight system requiring hundreds and hundreds of orders for its use (reloading, traction), a communication system was needed. The walls of this room were polished to enhance the acoustics.
That led to set the QC directly on the East/West axis, so the shafts could be built “in a mirror manner” on both side (North and South) from that axis.
Doing so, the designers were sure that these shafts would rise at an equal distance from it at each level, while the KC was being built. These shafts were never supposed reaching the outside, but just the level of the last ceiling of the KC. The “doors” were set in place to protect the shafts from dust, rubble, rain and animals while the intercom was not in use. They were put in place at the temporary outlet of the shafts during the construction. They stood at their final point at the end of the KC construction. One can draw a horizontal line at the base of the last ceiling of the relieving chambers; this line will cross the QC shafts at their end. This is not by chance, but by design. The blocks behind these doors are blocks of the backing stone belt, between the facing blocks and the core blocks…
You could object that the shafts had no outlet in the QC, Wayman Dixon discovering these shafts in the 19th century.
I would reply: look at the walls (North and South) of this chamber. Look how they are built. The blocks of the shafts were “jutting out” in the room (30cm) during the use of the intercom, just like drawers! They were pushed backwards at the end of the use with the help of the counterweight, and thanks to a beam inserted in the niche in the East wall. The unfinished corner of the North block (rough angle) was kept like that to avoid any crack or damage to the block during the push back process.
Look at the cracks on the blocks above the holes of the shafts on both sides: a proof of the stress supported by the blocks during the push back process.
The sealing of the chamber was never done; the unfinished corner of the North block is a proof.
At last, let’s talk about the shafts of the KC.
Up to the end of the construction of the KC, (and rafters on top of the structure of relieving chambers), the whole pyramid inside (corridors and chambers) was ventilated naturally because the Grand Gallery was partially unroofed to let the ropes of the counterweight system run freely well above the Grand Gallery roof.
But once the KC was completed, the unroofed part of Grand Gallery was then roofed with large beams brought down from above. As a consequence, the KC was no longer ventilated because it is at a very high (level 43m) above the entrance of the descending corridor (level 17m), with a lower point at the junction of the descending and ascending corridors (level 7m). That gives 36m above any fresh air entrance.
By setting 2 air shafts, on South and North, mirroring each other, ventilation was smartly provided. As the North face of the pyramid is always cooler than the South face, a natural circulation was blowing from the North shaft (descending air), running through the chamber and exiting by the South shaft (ascending air). Thus, the whole pyramid inside was ventilated.
A small Turah limestone block (with a V shape plug the size of the opening having been set in place when the shaft reached the outside) was standing above the outlet of each shaft, jutting out 10/15 cm. This plug was kept in position thanks to small piece of wood which was linked , by a rope running through the shaft, with the KC.
The outlets of both shafts were sealed at the end (after the funeral. For the closing, workers had just to pull the rope to withdraw the wooden piece; then the small block slid down in the shaft. This small block was unnoticeable from the outside because lots of the facing blocks have been repaired before their final setting, thus bearing lots of small patches (look at the facing of the Bent pyramid at Dahshur).
Note: The proof that the facing was done with blocks already finished (at the quarry itself) can be found at Dahshur (Bent) and Meïdum (Third stage – smooth) : hundreds of facing blocks have been repaired (from shocks received during the transportation) with limestone plugs before their final setting (the shape of many plugs prove that these were put in place before the block of the above layer was set in place).
It is quite doubtful for me to find any “religious explanation” in these shafts, for one simple reason. One doesn’t find a shaft in any other pyramids. Why the “Soul” of Khufu should have needed such shafts and not the other Kings?
Jean-Pierre
Hi Gouaich,
For my part, you are very welcome. For Jean-Pierre’s contribution, you speak for us both: Thank you very much!
-K
Hi,
There is something I would like people to understand about my work…
Yes, I’ve some “things” which are truly “out of the box” compared to all the studies made by those who have made theories about “How the Great Pyramid was built”…
Firstly, the “sparkle” from my father: “Pyramids were built from the inside”, an idea which is at the opposite of any other theory (pyramids built from the outside)
Secondly, my 35 years of training as an architect gives me a kind of 3D vision in my brain and some “construction knowledge”…something about which Egyptologists are not very familiar when I look at some of their propositions…
Thirdly, the intensive use of 3D modelling, particularly with the CATIA software from Dassault Systèmes. These kinds of tools allow you to have a virtual scanner of the monument, to “see” the unexpected links between internal rooms and corridors, and to get their position in the space with just a mouse click. These tools are the future of archaeology, believe me.
Who had remarked that the QC shafts ended at the same level as the last ceiling of the relieving chamber?
Jean-Pierre
Keith,
Amazing! Once again you had me totally enthralled in Egyptology.
Thank you to all of those who commented on your article. They helped expand my knowledge of the construction of this pyramid.
Keith, you’ve made me hunger for more by your “story telling” which makes one eagerly look forward to the next paragraph. Kudos!
Joan
Hi Joan,
Thank you so much for the VERY kind words! Egyptology is definitely my passion, but story telling and education are my heart and soul, and being able to combine all three is what Em Hotep is all about for me. For me, the real education part takes place right here–in the comments section.
This is where people are able to weigh in with their questions and contributions, and Jean-Pierre is just fantastic about getting back with people. I learn a lot from the readers, not just from their comments, but from the process of researching their questions. Many articles have stemmed from things people have said or asked in the comments section and I always love getting an email telling me there is a comment pending.
Thanks again, Joan, and see you on Facebook!
–K





















































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